The Mask of Fu Manchu

I was supposed to watch this one three whole weeks ago... but because Netflix is stupid (kinda) I didn't get to see it until now. Better late than never, I suppose. 

The Mask of Fu Manchu is about a group of English archaeologists, commissioned by a certain Sir Nayland (Lewis Stone) who race against the power-hungry Dr. Fu Manchu (Boris Karloff) for the contents of Genghis Khan's tomb in the Gobi desert. But before the expedition can begin, the lead archaeologist, Sir Lionel Barton (Lawrence Grant) is kidnapped by one of Fu Manchu's henchmen and taken away to his palace, where Fu Manchu tortures him for the information about where the tomb is. He is kept there for many days until his daughter Sheila (Karen Morely) and her fiancé Terry (Charles Starrett) begin to worry. They go to Sir Nayland and tell him that they will continue the expedition without fear of Fu Manchu and that they will try to find Sir Lionel anyways. Nayland lets them go, but soon accompanies them on the journey as well. The expedition team starts off and soon finds the tomb with no problems. There, they take the Mask and Sword of Genghis Khan to put in the museum, but Fu Manchu wants the Sword and Mask to "become" Genghis Khan and take over the world! They get the artifacts back to where they are staying for the night and set a guard to watch them just in case. The guard is killed in the middle of the night but the sword and mask aren't stolen. The next day, one of Fu Manchu's henchmen comes to the house where the team is staying and offers to trade Sir Lionel Barton for the sword and mask. Sheila jumps at the offer despite Terry's doubts, so Terry brings the sword and mask to Fu Manchu's palace, where he is looked over in strange ways by Fu Manchu's Dragon Lady-China Doll daughter Fah Lo See (Myrna Loy). Fu Manchu takes the sword and tries to do some freaky electrical stuff to it, demonstrating his scary powers. However, Nayland secretly swapped the real sword of Genghis Khan's for a fake, so Fu Manchu's special electricity experiment doesn't work. Terry is whipped as punishment under supervision of Fah Lo See, who later plans to make him her sex slave and then kill him. Fu Manchu steps in and injects Terry with a mind-control serum and sends him back to bring Sheila, Nayland, and the real sword and mask to Fu Manchu. He does so and they all walk right into the trap. Fu Manchu plans his world domination strategy and decides he needs a ceremony to celebrate it. He sends Sheila off to get ready to be sacrificed at his ceremony, who gets angry and says to him, "You yellow beast!" He sends Terry off to be bedded by Fah Lo See. He sends Nayland off to be eaten by some crocodiles. And he goes off to put on his fancy robe for the ceremony. Nayland then manages to escape and rescues Terry, while Fu Manchu assembles his army of Middle Easterners, black guys, and some other Asian-looking people for a pep rally where he wears the mask and wields his sword. Nayland and Terry find a big electronic death ray zapper and zap Fu Manchu as soon as he is about to stab Sheila. Then, for good measure, Nayland and Terry zap his followers as well. Fast forward several days, and Nayland, Sheila and Terry are aboard a boat back to England. They toss the sword over the side of the boat (but not the mask?) so that it will be safe from any future Fu Manchu.

Watch 6 - The Mask of Fu Manchu [1932].avi in Horror  |  View More Free Videos Online at Veoh.com
"Will we ever understand these Eastern races?" -Sir Nayland
Remember how I wrote about Flash Gordon and Ming the Merciless? He is Fu Manchu, just from outer space. 
The horror. Quite literally, I'm afraid. This movie is the embodiment of Yellow Peril. It's the Perpetually Foreign and Inherently Evil Scary "Oriental!" Because Dr. Fu Manchu wants to take over the world! He wants to lead all of Asia in an uprising against the accursed white race! He enjoys torturing people! He injects funky serums into the bloodstreams of next-to-naked white men! He wants to sacrifice a white woman to an accursed pagan god! The horror! The indignity! 

"Should Fu Manchu put that mask across his wicked eyes and take that scimitar into his bony, cruel hands, all Asia rises. He'll declare himself Genghis Khan come to life again. And that, my friend, is what you have got to prevent." - Sir Nayland
Some background on Fu Manchu: Originally conceived by British author Sax Rohmer, Fu Manchu was "yellow peril incarnate" an an evil scientist to boot. 

"Imagine a person, tall, lean and feline, high-shouldered, with a brow like Shakespeare and a face like Satan, a close-shaven skull, and long, magnetic eyes of the true cat-green. Invest him with all the cruel cunning of an entire Eastern race, accumulated in one giant intellect, with all the resources of science past and present, with all the resources, if you will, of a wealthy government--which, however, already has denied all knowledge of his existence. Imagine that awful being, and you have a mental picture of Dr. Fu-Manchu, the yellow peril incarnate in one man."
-- Nayland Smith to Dr. Petrie, 

The Insidious Dr. Fu Manchu, Chapter 2

Scared, huh? I know I am. He's everything scary and bad about Asians compiled into one dude with freaky long fingernails and some funky facial hair. In fact, this sounds like a Moriarty-type criminal mastermind trapped in Sherlock Holmes' body! Whoa! Strangely enough, the Fu Manchu books were sort of like Conan Doyle's Sherlock Holmes series, featuring Nayland Smith and Dr. Petrie versus the (apparently) insidious Fu Manchu. Except that Nayland Smith isn't brilliant, and neither is Dr. Petrie. They're just racist and often voice the anti-Asian sentiments of the book (and presumably Sax Rohmer as well). It's just Fu Manchu that's cunning and clever and supremely evil and anti-white. So not only do you fear his evildoings - you have to fear his intelligence as well! 
What does this remind you of? The model minority? This fear that China will take over the world? Yes and yes! He's super smart (model minorty) and he wants to take over the world (China takes over the world)! Captain Obvious, reporting for duty!

"Men of Asia! The skies are red with the thunderbolts of Genghis Khan! They rain down on the white race... and burn them!" - Fu Manchu 
Let's ignore Fu Manchu's scary intelligence for a moment, shall we? Let's focus on his sadistic scariness instead. He puts Nayland on a weird seesaw that gradually lowers him into a pit of (presumably) hungry alligators (or are they crocodiles?). He puts some other white guy on a platform between two walls of spikes that inch closer and closer together until... well, you get the idea (Said white guy is rescued, but not before he freaks out sufficiently). He has Terry whipped into a pain-induced stupor and then injects him with funky serum. He puts the good Sir Barton under a giant, endlessly clanging bell for days without food or water or reprieve from hearing the sonorous clanking, eventually driving poor Sir Barton insane. What does this do, you ask? This makes Fu Manchu an even more frightening character. Not only will he kidnap you, he'll torture you too! It's another little aspect to this already disgusting character that makes his foreignness and his evilness even more intolerable. He'll torture you in ways unimaginable! And he'll get a kick out of it! And on top of that... he's Asian! Asian and evil! Evilly Asian! Asianly evil! My eyeballs are rolling in terror!

Then there's Fu Manchu's army of Asians. Of course, this screams of perpetual foreigners and peril of all types - that's to be (hate to say it) expected from a movie from this time period. However, the only "East Asians" we see in the movie are Fu Manchu and his creepy little daughter, plus or minus a few mute extras. The rest of Fu Manchu's army is made up of... Middle Easterners? What's the subtext here? That the East Asians are the power-hungry ones, and the Middle Easterners are the ones who will follow their leaders like little woolly sheep? I have no ideas. Care to help me out on this one?

This one's right up there on the So-Racist-it-Makes-Me-Violently-Sick list with Mr. Moto. Shame.

Flash Gordon: The Emperor Ming and Other Offensive Stuff

I honestly don't know why I watched this miserable excuse for a movie. The worst thing I have ever had to sit through - and not just because of the twisted, odd little racist plot details.

The only good thing I can say about this pathetic bit of "filmmaking" is that Queen wrote that catchy, soaring theme song. Yes, that's dear old Freddie Mercury belting out that "FLASH!.... AAAAH!... Savior of the universe!"  
Did you see that Fu Manchu-esque evil space lord dictator guy? Yeah? That's Emperor Ming. MING! And not just any Ming - he's Ming the Merciless! He's an alien and his name is Ming. Translation: They're implying that the name "Ming" (a very stereotypical Asian name) is alien. Foreign. Different. And, judging by the context of the character, evil.

There's really no need to explain the plot, because there isn't one. Long story short: Flash Gordon (Sam J. Jones), the white-as-white-can-be, all-American football star, teams up with some other white aliens to take down the Oriental-esque Emperor Ming (Max von Sydow) from destroying Earth (never mind any other planets that might be in danger).

Ming the Merciless was originally conceived as Flash Gordon's nemesis in the comic strip of the same name in the year 1934. This was one year after Chang Apana, the inspiration for Charlie Chan, died, and a year after Filipinos were barred from immigrating to the US. An odd mix of pro-Asian and anti-Asian sentiments, don't you think? Yeah. And then came Emperor Ming the Merciless, a demonic, intimidating evildoer with a penchant for torture and for bedding white girls, not to mention a creepy (incest implied) relationship with his daughter Aura. Now, nowhere in the comic nor the movie (the 1980 version) is Ming the Merciless ever referred to as being of Asian descent or claiming some allegiance to an Asian country. However, the itty bitty hints and details surrounding his character have definitely been inspired by debilitating stereotypes surrounding Asian people. 

1. The name. I said it before. "Ming the Merciless." The "Ming" bit just screams "Asian!" The "Merciless" bit screams "EVIL ASIAN!" So all together, it screams, "Asian EVIL ASIAN!" And believe you me, it's not a pleasant sound.
2. The clothes. It's obvious that the clothes are not authentic Asian garments (well, specifically Chinese garments), but everyone's wearing flowing silky-looking robes that look extremely "Oriental!" Mr. Ming's harem girls are all wearing Chinese-style headdresses that look like they were made out of tinfoil. He's wearing plenty of tinfoil Chinese emperor robes himself. It's all so otherworldly, yet distinctly Asian. Again, fetishizing and making Asian-ness something unnatural and, no pun intended, alien. 

3. The facial hair. Classic Fu Manchu stuff. All that drawn-out beard and moustache? The arched and overgrown eyebrows? Coincidence? I think not!
4. The harem. The harem. The harem. Ming's harem. Ming's harem of white women. Ming's harem of white women who wear "Oriental" clothes. Just like Fu Manchu, Ming has an insatiable appetite, it seems, for white women, or just women in general. And this is no Charlie Chan or Mr. Moto. One needn't worry about the Honorable Detective or the Sly Secret Agent stealing and raping your women. But beware of Ming the Merciless, otherwise known as Fu Manchu! He'll seduce your women and add them to his collection of scantily clad alien whores!
5. The not-so-subtle reference to opium. When Flash's would-be girlfriend ends up in Ming Manchu's harem, she is offered a drink that will alter her mind and make her enjoy her (ahem) experience with Ming Manchu that night. She drinks it and is completely infatuated with the magical beverage. It's a little too reminiscent of opium for my taste. And we all know about the connotations of opium and Asia were...
6. Ming Manchu's hypnotism ring. He uses it to hypnotize Flash's would-be girlfriend into a session of pseudo-masturbating... It's weird. It's hypersexual, just the sort of thing you would expect from this character. And in our quasi-Puritan society, this is seen as horrific and savage - so the audience begins to make this connection between hypnotism, forced (albeit tame) masturbation, evil men, and Orientalness! All represented by this one character and this one scene! All leading to more distrusting of the "Yellow menace!" And this came out in 1980! The indignity!

This is a good example of a trend in Hollywood that's been around since the birth of the Fu Manchu stereotype - the idea that Asia is evil, inherently evil, and that they are determined to crush or take over everything Western society holds dear. It's a classic example of fear of the other and fear of the exotic and mysterious "Orient" taking over and overruling Western society. And this fear suddenly begins to manifest itself in oddball characters (like this guy) that are not designed to spark outright anger and fear of Asian people, but instead to breed a sleepy hate and distrust of those "Orientals." It's really sickening.

The one good thing I can say about this film is that it was completely panned by critics. They blasted it mostly on campy dialogue and ugly costumes - not on the racial undertones of the character of Ming the Merciless. And because this "movie" was shot down by critics, it did poorly at the box office and was reduced to a cult classic.  

Amy Chua: The Tiger Monster

 Amy Chua's recent article in the Wall Street Journal has sparked much controversy and angry outbursts from the blogosphere, Asian-American and non-AAPA. Her snarky essay, entitled "Why Chinese Mothers Are Superior," was an explanation of "how Chinese parents raise such stereotypically successful kids." And here is how she did it. It's a shocker...

"Here are some things my daughters, Sophia and Louisa, were never allowed to do:

• attend a sleepover

• have a playdate

• be in a school play

• complain about not being in a school play

• watch TV or play computer games

• choose their own extracurricular activities

• get any grade less than an A

• not be the No. 1 student in every subject except gym and drama

• play any instrument other than the piano or violin

• not play the piano or violin."

I'm not sure what's worse, her treatment of her daughters, the fact that her daughters accept this sort of dictatorship, her snooty, higher-than-thou attitude, or the fact that she states that this method is exclusively for Chinese parents. This, in her twisted mind, is the right way, the "real Chinese way" to raise robots (whoops, I mean children). The "real" Chinese way? Amy Chua states that she "[knows] some mothers of Chinese heritage, almost always born in the West, who are not Chinese mothers, by choice or otherwise." Meaning that because my mom (and probably lots of other Chinese mommies) didn't raise me the same way Chua raised her offspring, my mom is not Chinese? Um...

Amy Chua is totally buying into the model minority stereotype by saying that "A lot of people... wonder what these [Chinese] parents do to produce so many math whizzes and music prodigies, what it's like inside the family, and whether they could do it too. Well, I can tell them, because I've done it." She embodies this stereotype and, most horrifyingly, is proud of it, stating that "the Chinese strategy (of parenting) produces a virtuous circle" whereas the "Western parents tend to give up" and that they "can only ask their kids to try their best." She praises the (in her mind) distinctly and only Chinese work ethic, saying that is where the "math whizzes and music prodigies" come from. At the same time, she belittles the Western parenting style as being not strict enough and too "concerned about their children's psyches." (Because everyone knows that the emotional stability of your child isn't worth crap next to academic excellency...) Chua turns the model minority on its head by essentially saying that Chinese kids aren't inherently gifted - it's the parents that push their children into being gifted and brilliant. It's the "Chinese way" of having high expectations that gets them so far in academics. Chua, making another grand, arrogant statement, proclaims, "If a Chinese child gets a B - which would never happen - there would first be a screaming, hair-tearing explosion. The devastated Chinese mother would then get dozens, maybe hundreds of practice tests and work through them with her child for as long as it takes to get the grade up to an A." So really, she, as the all-powerful "mother," should be praised for the successes of her children. Chua called her daughter, Luisa, self-indulgent when she was having trouble learning a musical piece - if anything, the way Chua screams for attention and praise for her parenting style is more self-indulgent than her daughter ever was. 
 
The title that Chua slapped on her parenting method (The Chinese Way) is also concerning. The damages from this newly named parenting style will be enormous and hard to get rid of. Chua's "Confucian filial piety" method on steroids is, so far, the only example of an ethnicity-based method that is at the forefront of everyone's consciousness. The fact that it is so tied to being Chua's interpretation of "Chinese" makes the horrific treatment of the children even worse. This is not an issue of raising children a newfangled way - it's the issue of raising them the (specifically) Chinese way. For people who have never met an Asian person (let alone someone of Chinese descent) or cannot even begin to fathom the existence of this type of dictatorship (sorry, parenting), this title becomes synonymous with Chinese people and therefore, Chinese parents. It may prompt people to think that "those Chinese parents are horrible people who have no love for their children" or something along those lines. It prompts me to think that Any Chua ought to be excommunicated from the Asian-American community. 

Those poor girls...

The dangers of an article like this one is that there are no other Asian American women with that level of fame who are mothers who could contradict her. Sure, there are other Asian American women out there in the media and whatnot, but they aren't mothers or they aren't recognized for being mothers. We're now left with only one representative of an Asian mother, and it's this Mom-zilla who is "happy to be the one hated (by her children)" and resorts to "[using] every weapon and tactic [she] could think of" in order to make her daughter learn one measly piano piece. Even more depressingly, this article was published in the Wall Street Journal, which, last time I checked, was a pretty widespread newspaper. Any rebuttals to her frankly horrifying methods of "raising" children are only showing up in blogs that may or may not have as big an audience as the Wall Street Journal. Therefore the damage that this article has done will be even harder to rectify, and all the work we've done to diminish the model minority stereotype is going down the drain and into the unfathomable bowels of hopelessness. 
This woman is a monstrosity. A smarmy, self-serving, arrogant "mother" with Machiavellian "ends-justify-the-means" and "extreme tough love bordering on abuse" parenting techniques. Ironically, she mentions "all these new books out there portraying Asian mothers as scheming, callous, overdriven people indifferent to their kids' true interests." Was that a shameless, self-indulgent plug for her own book, Battle Hymn for the Tiger Monster? Oops, I mean "Mother." 


Check the comments section below for further discussion!
An elegant rebuttal to Chua's techniques and the psychological damages to children that her methods will have.
More links all over the web - Especially this one.